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Raga is a 1971 documentary film about the life and music of Indian sitarist Ravi Shankar, produced and directed by Howard Worth. It includes scenes featuring Western musicians Yehudi Menuhin and George Harrison, as well as footage of Shankar returning to Maihar in central India, where as a young man he trained under the mentorship of Allauddin Khan. The film also features a portion of Shankar and tabla player Alla Rakha's acclaimed performance at the 1967 Monterey Pop Festival.
The majority of the documentary was shot in the late 1960s, during a period when Shankar's growing popularity saw Indian classical music embraced by rock and pop musicians and their audiences. Financial problems then delayed production until Harrison provided assistance through the Beatles' company Apple Films. In addition to actively promoting Raga, Harrison produced the soundtrack album – a project that led directly to hem and Shankar staging the Concert for Bangladesh in August 1971.
The film's working title was alternately East Meets West and Messenger Out of the East. In 2010, to coincide with celebrations for Shankar's 90th birthday, East Meets West Music released a fully remastered version on DVD, titled Raga: A Film Journey into the Soul of India. The expanded soundtrack album was also made available, via digital download.
Speaking in 2010 of his involvement in Raga, Worth recalled that he disliked Indian music initially, but soon changed his view. At the request of Canadian television producer Nancy Bacal, he attended a private recital by Shankar, in the company of singers Judy Collins and Leonard Cohen, a performance that convinced Worth that he wanted to direct the planned Shankar documentary after all. (retrieved 1 November 2013). Worth also served as producer,Castleman & Podrazik, p. 320. and he and Bacal worked on a script at Collins's house in California.
The film was originally called East Meets West, according to author Peter Lavezzoli;Lavezzoli, p. 184. Messenger Out of the East was an alternative working title.Clayson, p. 308. The first of these titles referenced West Meets East, Shankar's 1966 album with American violinist Yehudi Menuhin, and the winner of the 1967 Grammy Award for Best Chamber Music Performance.Lavezzoli, pp. 8, 63.
Early in the film, Shankar travels by train to the Madhya Pradesh town of Maihar, to see his father-in-law and esteemed music teacher (or guru), Allauddin Khan,Lavezzoli, pp. 15, 51, 184. known affectionately as "Baba".Shankar, My Music, My Life, pp. 58–60.Reginald Massey, "Ravi Shankar obituary", The Guardian, 12 December 2012 (retrieved 13 August 2014). Worth recalls this visit as a nervous occasion for Shankar, who states in his role as narrator: "Whenever I think of Baba, I have a mixture of fear and awe. For us, guru is sometimes greater even than God." Another scene features dancers from the South Indian kathakali tradition, reflecting Shankar's early career as a dancer with elder brother Uday Shankar's pioneering troupe during the 1930s.Ken Hunt, "Ravi Shankar", AllMusic (retrieved 24 November 2013). "Ravi Shankar Raga: A Film Journey into the Soul of India DVD", East Meets West Music (retrieved 1 November 2013).
According to Worth, the emotional highpoint of filming was when Shankar visited his spiritual guru, named Tat Baba.Shankar, My Music, My Life, pp. 89–90.Clayson, p. 207. In his own teaching activities, Shankar is shown mentoring students at Kinnara, adhering to the strict guru-shishya tradition he had experienced under Allauddin Khan.Lavezzoli, pp. 12–13, 51. Shankar later reflects on the comparative rush to master the intricacies of Indian music by his Western students in Los Angeles, where he opened a branch of the Kinnara School in May 1967.Shankar, My Music, My Life, pp. 97–98.
Raga includes footage of a pair of celebrated live performances by Shankar from 1967, a year that Lavezzoli describes as the " annus mirabilis" for Indian music in the West.Lavezzoli, pp. 6, 63, 184. The first performance was from the Monterey Pop Festival in northern California on 18 June, where Shankar was accompanied by his longtime tabla player, Alla Rakha.Lavezzoli, pp. 7, 105–06, 180–81. The film shows Shankar and his companion Kamala ChakravartyShankar, Raga Mala, pp. 157, 196, 268–69.Priyanka Dasgupta, Purba Dutt & Nona Walia, "Meet India's bohemian lovers", Times of India, 18 February 2012 (retrieved 15 December 2013). circulating among the crowd before his performance, and American musicians Jerry Garcia and Jimi Hendrix among "the enthralled spectators" while he plays, according to Lavezzoli.Lavezzoli, p. 181. The second of these 1967 performances, a recital featuring Menuhin and Shankar, was filmed six months later on Human Rights Day, at the United Nations building in New York.Lavezzoli, pp. 7–8.
Another milestone for the popularity of Indian music was the June 1967 release of the Beatles' Sgt. Pepper's Lonely Hearts Club Band album, World Music: The Rough Guide, p. 109. the "spiritual centerpiece" of which, Lavezzoli writes, was George Harrison's Indian composition "Within You, Without You".Lavezzoli, pp. 6–7, 180. Harrison joined Shankar in Madras in April 1968, following the Beatles' stay at Maharishi Mahesh Yogi's meditation ashram in Rishikesh,Miles, pp. 293, 296. but a bout of dysentery prevented him from participating in filming for Raga. Worth subsequently filmed Harrison's contributions at the Esalen Institute in Big Sur, California,George Harrison, pp. 57–58. on 10–11 June 1968.Badman, p. 54. In one of the scenes, Harrison receives sitar tuition from Shankar; in another, they both participate in a singing class with students from Kinnara. While his immersion in Indian music had been the most significant factor behind Shankar's recent rise to international fame,Clayson, p. 210.Philip Glass, "George Harrison, World-Music Catalyst and Great-Souled Man; Open to the Influence of Unfamiliar Cultures", The New York Times, 9 December 2001 (retrieved 1 December 2013). Harrison would later cite this visit to Esalen as presaging the end of his commitment to the sitar.Lavezzoli, pp. 171–72, 177–78.Mitchell Glazer, "Growing Up at 33⅓: The George Harrison Interview", Crawdaddy, February 1977, p. 41. As of 2006, the scene in Raga featuring Shankar instructing Harrison was the only known film footage of Harrison playing the sitar during his years as a member of the Beatles.Unterberger, p. 202.
California was also the location for the film's penultimate scene, in which Shankar, looking out over a windswept beach, questions the validity of his attempts to bring Indian culture to America.Shankar, Raga Mala, pp. 210–11. In his narration for the scene, he reads out a passage adapted from My Music, My Life, reaffirming his belief in Nada Brahma.
Once back in New York, Worth contacted Harrison, hoping to secure support from United Artists, the film studio responsible for the Beatles' feature films A Hard Day's Night, Help! and Yellow Submarine.Castleman & Podrazik, pp. 317–18. Late in 1970, Harrison attended a special screening of the assembled footage and was so moved, according to Worth, that within days he offered the services of the Beatles' own Apple Films as a distributor. Worth credits Harrison with saving the production and thereby "changing my life".
In June and through to July 1971, Harrison, as producer, prepared the recordings for release in conjunction with the movie.Badman, p. 36.Madinger & Easter, pp. 422, 435. While Shankar and Harrison were working in Los Angeles, news broke of the atrocities being committed by West Pakistan against the people of Bangladesh (formerly East Pakistan, and before that, East Bengal).John Harris, "A Quiet Storm", Mojo, July 2001, p. 74. In response to a plea for assistance from Shankar, a Bengali by birth, Harrison set about organising the Concert for Bangladesh, held at Madison Square Garden, New York, on 1 August.Leng, p. 111.Lavezzoli, pp. 187–88. Work on the Raga soundtrack was completed in mid July, around the time of sessions for Shankar's Apple Records EP Joi Bangla.Castleman & Podrazik, p. 103.
On 24 November, Shankar and Harrison filmed an appearance on The David Frost Show,Madinger & Easter, p. 439. where they again discussed the film and Harrison gave a rare demonstration on sitar.Badman, pp. 55–56. Two days later, Shankar performed at Carnegie Hall, accompanied by Rakha and Chakravarty, giving his first New York concert since the Concert for Bangladesh shows in August.Billboard staff, "Shankar, 'Raga' At Carnegie", Billboard, 27 November 1971, p. 16 (retrieved 30 August 2015). Writing in The New York Times in November 1971, film critic Howard Thompson described Raga as "quietly penetrating" and "beautifully made", adding: "Everything about it is admirable."Howard Thompson, "Screen: Ravi Shankar; 'Raga,' a Documentary, at Carnegie Cinema", New York Times, 24 November 1971, p. 23 (retrieved 1 November 2013).
On 7 December 1971, Apple Records released the soundtrack album (as Apple SWAO 3384) – like the film, in America only.Castleman & Podrazik, pp. 107, 320. Billboards album reviewer commented on the packaging's "superb photo folio showing the sitarist's career" but said that, due to the fact that only portions of ragas were present, the soundtrack's "greatest attractiveness may be to those who see the movie or are Shankar collectors". "Album Reviews", Billboard, 18 December 1971, p. 25 (retrieved 1 November 2013).
In August 1972, Harrison screened Raga for select guests at a cinema in Mayfair, London, to coincide with Shankar's upcoming appearance at Southwark Cathedral.Badman, p. 80. According to a report in Record Mirror in early November 1973, the film was due to open in London later that same month.Peter Jones (ed.), "Reflections: Ravi raga saga", Record Mirror, 10 November 1973, p. 10.
When asked at the press conference for his and Shankar's 1974 North American tour whether the attendant publicity was likely to lead to a re-release for Raga in the US, Harrison expressed his hope that it would, but lamented that the restrictions imposed on cinema operators by film distributors were "like the way the record industry was ten years ago". He added: "If you don't work on Maggie's farm, you don't get your movie on, you know?"Steven Rosen, "George Harrison", Rock's Backpages, 2008 (subscription required; retrieved 5 July 2016).
On 1 November 2010, the film was screened at the New York headquarters of the Asia Society, News > "11/1/10 | NY | ASIA SOCIETY SCREENING!", eastmeetswest.com, 1 November 2011 (archived version retrieved 25 October 2016). which had promoted Shankar's first US appearances in 1957 "Ravi Shankar: A Life in Music", Asia Society (retrieved 12 August 2014). and now honoured the artist with its Cultural Legacy Award. The event was introduced by composer Philip Glass and attended by Anoushka Shankar (representing her father, who was too sick to attend), "Ravi Shankar: Award Ceremony and Film Screening", Asia Society (retrieved 12 August 2014). along with people involved in the original production such as Worth, Gary Haber and Merle Worth. Writing in Songlines magazine, Jeff Kaliss gave the Raga DVD a five-star review and described the film as an "honest, entertaining portrait of a maestro" that was "as satisfying musically as it is visually".Jeff Kaliss, "Ravi Shankar Raga: A Film Journey into the Soul of India", Songlines, 26 November 2010, p. 85 (archived version retrieved 25 October 2016). In an article on the 2015–16 Grammy Museum exhibit on Shankar, music historian Harvey Kubernik said the DVD was "recommended viewing".Harvey Kubernik, "Ravi Shankar: A Life In Music Exhibit at the Grammy Museum May 2015–Spring 2016", Cave Hollywood, 16 June 2015 (retrieved 1 May 2017).
In place of the 1971 promotional image for Raga, which showed a silhouette of a cow against a backdrop of a sunset, the new cover consisted of a still of Shankar playing sitar during the 1960s. This photo, taken by Canadian portrait photographer Yousuf Karsh,Liner notes, Raga: A Film Journey into the Soul of India. shows a portion of the seven-played-string model of sitar that Shankar had popularised over the more traditional six-string model favoured by musicians such as Vilayat Khan.Lavezzoli, pp. 14, 30–31, 33.
For the 2010 reissue, EMWMusic expanded the soundtrack album from thirteen selections to seventeen, with all recordings fully remastered. The Raga soundtrack was available via digital download with the documentary film.
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